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The aesthetic movement.

By: Material type: TextTextPublication details: London : Phaidon, 1996.ISBN:
  • 0714830003
Subject(s): DDC classification:
  • 709.4109034 20
Contents:
Ch. 1. Blue and White to Black and White -- Ch. 2. The Cult of Japan -- Ch. 3. A Dissonance in Gold and Silver -- Ch. 4. Artists and Studios -- Ch. 5. Whistler and Ruskin: 1878 Watershed of the Aesthetic Movement and its Aftermath -- Ch. 6. Satire and Aestheticism -- Ch. 7. Oscar Wilde and the Aesthetic Movement in America -- Ch. 8. E. W. Godwin: 'First of the Aesthetes' -- Ch. 9. The French Connection - Fin de Siecle -- Ch. 10. The Sleeping Woman Awakes -- Ch. 11. The Triumph and Tragedy of the Aesthetic Movement.
Summary: Originating from the Greek, aesthetics is the name which has been given since classical times to the study of beauty and the nature of the beautiful. In the second half of the nineteenth century, fuelled by the writings of Walter Pater and Baudelaire and the art of the Pre-Raphaelites, British poets, painters, designers and architects began to turn to aesthetic concerns and to place more emphasis on ornament and on the past. The result was the Aesthetic Movement and a new freedom in all aspects of the fine and decorative arts. In architecture, the dogmatism of Gothic gave way to the charm of Queen Anne. In interiors, heavy Victorian forms were replaced by the lighter, fresher Japanese-inspired shapes and in the graphic arts, innovative methods, coupled with a new approach to form led to the revitalization of illustration and book design. Believing that beauty should permeate every sphere of life, the Aesthetes' rallying cry was 'Art for Art's Sake'. Oscar Wilde, one of the movement's most characteristic and charismatic members, was heard to complain about the difficulty of 'living up to one's blue and white china' and his flamboyant dress and lifestyle made him one of the most widely known figures of the late nineteenth century. Together with James McNeill Whistler, Aubrey Beardsley and a host of other colourful figures, Wilde felt very strongly about elegance and richness and it was this very coherence of philosophy that held the Aesthetic Movement together and gave it a lasting influence. From the languid figures of Rossetti to the sunflowers of Wilde and the flamboyance of Ellen Terry, Aesthetic motifs cannot be easily forgotten.
Holdings
Item type Home library Call number Status Date due Barcode Item holds
Two Week Loan Two Week Loan College Lane Learning Resources Centre Main Shelves 709.42081 LAM (Browse shelf(Opens below)) Available 4403779801
Total holds: 0

Enhanced descriptions from Syndetics:

Ch. 1. Blue and White to Black and White -- Ch. 2. The Cult of Japan -- Ch. 3. A Dissonance in Gold and Silver -- Ch. 4. Artists and Studios -- Ch. 5. Whistler and Ruskin: 1878 Watershed of the Aesthetic Movement and its Aftermath -- Ch. 6. Satire and Aestheticism -- Ch. 7. Oscar Wilde and the Aesthetic Movement in America -- Ch. 8. E. W. Godwin: 'First of the Aesthetes' -- Ch. 9. The French Connection - Fin de Siecle -- Ch. 10. The Sleeping Woman Awakes -- Ch. 11. The Triumph and Tragedy of the Aesthetic Movement.

Originating from the Greek, aesthetics is the name which has been given since classical times to the study of beauty and the nature of the beautiful. In the second half of the nineteenth century, fuelled by the writings of Walter Pater and Baudelaire and the art of the Pre-Raphaelites, British poets, painters, designers and architects began to turn to aesthetic concerns and to place more emphasis on ornament and on the past. The result was the Aesthetic Movement and a new freedom in all aspects of the fine and decorative arts. In architecture, the dogmatism of Gothic gave way to the charm of Queen Anne. In interiors, heavy Victorian forms were replaced by the lighter, fresher Japanese-inspired shapes and in the graphic arts, innovative methods, coupled with a new approach to form led to the revitalization of illustration and book design. Believing that beauty should permeate every sphere of life, the Aesthetes' rallying cry was 'Art for Art's Sake'. Oscar Wilde, one of the movement's most characteristic and charismatic members, was heard to complain about the difficulty of 'living up to one's blue and white china' and his flamboyant dress and lifestyle made him one of the most widely known figures of the late nineteenth century. Together with James McNeill Whistler, Aubrey Beardsley and a host of other colourful figures, Wilde felt very strongly about elegance and richness and it was this very coherence of philosophy that held the Aesthetic Movement together and gave it a lasting influence. From the languid figures of Rossetti to the sunflowers of Wilde and the flamboyance of Ellen Terry, Aesthetic motifs cannot be easily forgotten.